ancient historical novels

Historic Words and Fibers

Janet Fisher

History resonates in every Fort Umpqua Days celebration as people come from many places to share a glance back to the early days of Elkton, Oregon. The reconstructed British Hudson’s Bay Company fort provides a centerpiece for the gathering. This year a number of reenactors came to give the fort even more authenticity.

Reenactor Karen “Many Voices” Haas spinning

In the above photo reenactor Karen Haas, who describes herself as a weaver of words and fibers, spins yarn on a drop spindle while wearing period dress, such as you might have seen in the days of the original Fort Umpqua.

This is the period of my two published books, A Place of Her Own and The Shifting Winds. But the drop spindle is a device so ancient that I describe a character using one in an upcoming book that goes back roughly 3,500 years. I was glad to watch Karen spin with a drop spindle so I could see how she made it spin. This will help me describe how my ancient character spins with hers. More than one of my characters can be called weavers of story and thread. I think they share an affinity with Karen “Many Voices” Haas.

I had a chance to visit with Karen Sunday afternoon when she stopped at my booth where I was selling my books. After I closed up shop I went down to the fort with my daughter Carisa to see some of the reenactors, and there was Karen outside a Hudson’s Bay Company tent (it must have been an HBC tent because they were waving an HBC flag). And she was spinning. We recognized each other and it took me a moment to realize what exactly she was doing. But there it was. She was working a drop spindle. Every once in a while she would put the spindle against her billowy skirt and stroke her hand across it to keep it turning. Then she would reach up again and make sure the yarn was coming out in an even thread. An amazing process. So ancient. So elegant in its simplicity, yet no doubt requiring considerable skill and practice.

With that we wrapped up another Fort Umpqua Days enjoying a delightful glimpse into our past. Thanks to Karen for showing us one significant thread of that story.

The Trilogy ~ Or First Three

Janet Fisher2 Comments

So, here it is–a trilogy–wrapped up with a bow on it. Or first three in the series.

These epic historical novels of adventure and romance bring to life the exotic world of the ancient Greek Isle of Crete, and I’ve been working on the series for many years. They just got a comprehensive update and a new bit of polish.

I thought these books were finished in 2015 when I completed Book Three, Talia’s story, which started out with some special help from my muse, as described in a 2015 blog post. (Note: If you come across one of my posts that Talia’s story was labeled as “fourth in the series,” please note there’s been some juggling and additional stories, so I plan to present Talia’s as the third now. The one that was third will be Book Four. And I don’t know that I’ll separate the first three as a trilogy.)

Anyway, after thinking these three were done, my agent sent me back for changes in Book One, Helaina’s story, the foundational book in the entire project. I talked about that in my last blog post, The Rewrite.

The beauty of writing a series is that you set up your scenario–which in an ancient historical novel means creating a world–and you carry that into the next books. That world becomes familiar and real. I know these characters who walked the earth more than 3,000 years ago. I know the places they walked. I know their children, who grow up and carry their society forward, meeting the challenges of their day. The stories are fictional but the people and places are as true to life as I can make them, based on the archeology and other clues left behind.

The down side of writing a series is that you have to maintain consistency. This can be difficult enough in a large novel. Were her eyes green or blue? Did the ships have oars or just sails? Was the bridge north of town? Or south? What was his father’s name? When you have multiple stories, that consistency has to be maintained through a lot of pages.

Ah! Thank goodness for the search feature. And character notes.

I was particularly aware of this need for consistency when I did dramatic, substantive changes to Book One in the big rewrite. Some of those changes trickled down into the other books. So each of these had to be rewritten, if not perhaps as thoroughly. And they had to be read carefully because sometimes the effect of changes can be subtle.

This latest rewriting project has kept me busy for long days since the big rewrite of Book One, which got underway shortly after Christmas. Kudos to my beta reader Carisa Cegavske for her insightful feedback on all three.

Now it’s a pleasure to see them done–hopefully done, unless my agent recommends more changes. I am so glad she nudged me to the rewriting, because they all feel so much stronger. It’s all part of the process. Write. Rewrite. Feedback. Rewrite again. More feedback. And one more time. And again…

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