The TRUE Shifting Winds ~ 3: Mountain Men

This is the third in a series of posts about true events behind my historical novel The Shifting Winds. Here we look at the American side of the fur trade led by the venerable mountain men. These rugged men led the American effort at about the time Dr. John McLoughlin was sent to take charge of the Columbia District for his employer, the honorable British Hudson’s Bay Company. The Astor venture, having failed for the Americans, left the United States without much footing in the Columbia, but fur trade prospects had already begun brewing for the Americans in another arena, the Rocky Mountains on the edge of their now undisputed Louisiana Territory.

Before I focus on that American trade directed by St. Louis companies, I want to present a painting and go back to that young man I mentioned in post number 2, John Colter, a member of the historic Lewis and Clark expedition.

The American Scheme

The painting below by modern-day artist Andy Thomas of Carthage, Missouri, represents John Colter. Thomas calls the image “The First Mountain Man.” This artist offers many paintings of historic people and events, and his mountain man appealed to me.

I was looking online for photos to represent my characters when I came across it.

I wanted to put together a poster and banner with images portraying my protagonist, American pioneer Jennie Haviland, and the two men in Oregon who were vying for her affections, British Hudson’s Bay Company clerk Alan Radford, and American mountain man Jake Johnston.

Alan was a well-dressed gentleman of the times and I had no trouble finding an 1800s fashion plate that had the right look for him.

I found one complete with frock coat and tall beaver hat, even if the face wasn’t quite as gorgeous as I imagined him. And I found a young woman in a fashion plate with period dress, her face hidden by a bonnet so folks can imagine her appearance as they choose.

But there were no fashion plates for mountain men. Most of the mountain man pictures I found were of crusty old fellows with long, scraggly beards. Now, there may have been some mountaineers like them, but trapping in the Rockies was not a business for old men. These guys had to be tough and in their prime, and most were clean shaven.

Part of the reason for shaving was that the Native American men they associated with had little face hair and plucked what grew, so the women seeing a bearded white man might laugh disparagingly and call him a dog face. If these trappers wanted to win the hearts of these women, shaving was a good idea–not to mention the greater ease of keeping small critters out of their soup.

Anyway, I came across this image of a mountain man and it spoke to me. The guy in the painting had the gravitas I was looking for, and with the artist’s permission, John Colter now plays the role of Jake for me on my marketing materials for the book.

He doesn’t look exactly the way I see Jake either, but he has keen eyes that might be about to twinkle and a bit of don’t-mess-with-me attitude I can’t help but like. He’ll probably shave when he gets back to camp.

And that brings us to the real John Colter. He was born in Virginia sometime around 1775, his father evidently having come from Ireland. The family moved to the Kentucky frontier around 1780 when John was a young boy. At about 30 years of age he impressed Meriwether Lewis with his frontier skills, and Lewis recruited him for the Lewis and Clark Expedition as a private.

Colter may have been a little hotheaded because he got into a fracas with his sergeant even before they left and threatened to shoot the man, but somehow it got smoothed over and he became a valued member of the team and one of the best hunters. Lewis learned he could trust Colter to handle many difficult situations. The man showed skill in bartering with the tribes they met, and he would strike out alone wherever Lewis or Clark asked him to go and always find his way.

Two months before the end of the journey home, the expedition met some trappers headed west, and Colter joined them as a worthy addition, given his fresh knowledge of much of the territory. He went out alone for them during the winter, traveling some 500 miles through the wilderness to establish trade with the Crow nation, and was probably the first white man to see such sights as the spewing Yellowstone wonders, which came to be known as Colter’s Hell. Many stories of his skills and scrapes have been the stuff of books and movies, but probably none so dramatic as his run from the Blackfeet.

Colter was canoeing up the Jefferson River with another trapper, Potts, when several hundred Blackfeet showed up and demanded the two go ashore. The Blackfeet killed Potts in the incident, hacking him to death, then stripped Colter naked and told him to run. He soon realized they expected him to run for his life. His nose began to bleed, but he kept going as blood streamed and was well ahead of all but one of his pursuers.

With a suddenness that startled the man on his tail, Colter came to an abrupt stop and swung around to face him, arms wide. Caught by surprise at Colter’s actions, and perhaps the blood streaming over Colter’s naked body, the man also tried to stop but fell forward as he threw a spear and plunged it into the ground. Colter snatched up the broken weapon and killed him, then grabbed a blanket from him and fled the others. After a five-mile run he reached the Madison River and jumped in, taking refuge in a beaver lodge until nightfall when he escaped.

Thus he became something of a legend. When he did return to civilization a few years later he visited William Clark of the Lewis and Clark expedition and reported on his travels, adding considerable detail for Clark’s maps. He got married and farmed in Missouri awhile before fighting in the War of 1812. He never returned to the mountains.

About ten years after the war, just before Dr. John McLoughlin went out to the Columbia, some men of St. Louis, William Ashley and Andrew Henry, put together a fur company that significantly impacted the American fur trade. Prior to that time, most furs were acquired through trade with the Indians. But Ashley and Henry led their own trappers into the west, where they built a couple of forts and wintered with the Crow tribe. In the spring of 1824 the trappers went into the Green River country and found it rich in beaver. Ashley came up with a working scheme when he put together the first supply train and took the caravan to the Rockies the next summer so the trappers didn’t have to haul their furs to market in St. Louis. The annual rendezvous had begun.

amfurcaravan

The above painting by Alfred Jacob Miller shows the supply caravan bringing supplies to the Rocky Mountains for the annual rendezvous of the mountain men. Miller went out with the supply train in 1837 and created many portraits of the landscapes and mountaineers and Native Americans he saw there. The man on the white horse is the Scottish adventurer William Drummond Stewart who hired Miller to take the journey with him to record the event.

The Rocky Mountain Rendezvous lasted from 1825 until 1840 when beaver began to play out and prices dropped because men discovered silk hats to replace their beavers. It was a great run and the rendezvous an uproarious party when men let loose after they’d spent a year working hard in dangerous conditions. The supply trains brought out pure alcohol to mix with the clear water of the mountain streams, adding to the craziness. Friendly tribes gathered with the mountaineers, and many of the Americans took wives from these tribes or enjoyed temporary liaisons.

Miller greeting

This Miller portrait shows the rip roaring greeting trappers typically gave to the arriving caravan. Again the Scot Stewart is on the white horse.

During these years the Americans pretty well kept to the Rockies, while the British reaped the Oregon Territory of beaver there. Sometimes they bumped up against each other, and competition was fierce. The British ultimately pursued a scorched earth policy to make sure there weren’t enough beaver left on the west side to lure the Americans to Oregon.

Because of the supply train system many of the American trappers never went back home, and after years of living in the wilderness, often with wives and children they knew wouldn’t be accepted in the States, they felt adrift when the mountain life ended. So after the last rendezvous of 1840 quite a few went to Oregon anyway and decided to become settlers, a situation that didn’t always set well with the British. Thus legendary mountain man Joe Meek, a major player in my book, enters the stage, along with others who are named in the pages, accompanied by the fictional Jake Johnston. This was just two years before the book’s 1842 opening.

Dr. McLoughlin, another major historic player in my book, found himself caught in a dilemma between honoring the interests of his nation and following his own humanitarian instincts.

But when the good doctor first went to the Oregon Country in 1824 the British had a near monopoly there and prospects all looked rosy.

Gowans, Fred R. Rocky Mountain Rendezvous: A History of the Fur Trade Rendezvous 1825-1840. Provo, UT: Brigham Young University Press, 1976.
Various websites.

Next: British Stronghold

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Fort Vancouver Event Coming Soon

My reading and signing event at the fantastic Fort Vancouver site in Vancouver, Washington, is just three weeks away, Saturday, July 16, starting at 2 o’clock in the afternoon. As mentioned in my March post “Upcoming Book Event at Fort Vancouver,” it was a dream of mine to hold an event at this historic fort for my new historical novel, The Shifting Winds, because the fort plays a significant part in the story. Now that dream is about to happen.

599.Ft.Vanc.Bastion -titleThrough my presentation at the fort Visitor Center–a lecture, a slideshow of related photos, and a tour of the fort–I hope to draw people back to the days of my story. The lecture and book signing will be from 2 to 3:30. Afterward, from 4 to 5 I’ll lead attendees on a tour through the fort and highlight some of the places that appear in my book. The bastion in the fort palisade is shown above.

Several scenes in the story take the reader to this amazing spot of British civilization in a wilderness isolated from all that’s familiar to the young American protagonist, reluctant pioneer Jennie Haviland. And one of the major players, Hudson’s Bay Company clerk Alan Radford, works at the fort.

In the early 1840a when the story takes place, Fort Vancouver stands as the center of the British fur trade in the Pacific Northwest, and American settlers have just begun trickling into the area, hoping to gain the land for the United States. For more than 20 years Britain and the United States have jointly occupied the Oregon Country, unable to come to terms on a boundary between them.

Ft.Vanc.Big House FrontGiven Fort Vancouver’s significance in Western American history, the fort has been faithfully reconstructed as a living representation of the times, including the home of the commanding officer and his second in command, above, which is furnished much as it would have been when Chief Factor Dr. John McLoughlin lived there and essentially ruled the Oregon Territory. The McLoughlin sitting room is shown below.

613.Ft.Vanc.McLoughlin Sitting RoomNow a National Historic Site maintained by the National Park Service, the fort offers visitors a chance to step back in history and see what life was like in the fort’s heyday.

622.John McLoughlin Daguerreotype - creditChief Factor McLoughlin, shown in the daguerreotype, is one of the real characters portrayed in the book (photo courtesy of National Park Service).

My story takes place during the historic time of rising tension between the two nations over this one land. Within that true story of conflict, a fictional clash develops between two men–the British HBC clerk Alan Radford, and American mountain man Jake Johnston–who vie for protagonist Jennie as their nations vie for Oregon.

To find the fort and center, their website offers maps and directions. The Visitor Center, where my event will be held, is at 1501 East Evergreen Boulevard.

The Visitor Center Bookstore will have copies of The Shifting Winds for sale, as well as copies of my previous book, A Place of Her Own.

My thanks to the National Park Service and the Friends of Fort Vancouver for co-hosting the event. And a special thanks to Mary Rose, Executive Director of the Friends of Fort Vancouver National Historic Site, for making the arrangements.

In these next three weeks I plan to offer a series of posts here on my blog to help set the stage for my story and for this event. Because the posts will delve into the historical setting, I’ll call the new series “The True Shifting Winds.”

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Pleasant Evening at Bookmine

Bookmine encore.1029Gail at The Bookmine in Cottage Grove set up a lovely display for my encore signing and reading party for The Shifting Winds Thursday evening, to which I added my new poster for the book (at left).

We also had copies of my first book, A Place of Her Own, available and actually sold quite a few of them as well. It continues to gain interest.

It was a busy evening with the Farmer’s Market just outside, and several people drifted in to join those who’d come for the event.

Bookmine encore.1040.2

An attentive group stayed for the readings. I chose three short segments, a couple of tense cliff hangers and, for a change of pace, one of Joe Meek’s stories. Joe, a mountain man, is one of the real characters in the book. Gail also offered refreshments, shown in the photo above, so folks nibbled and listened.

Bookmine encore.1045.2Bookmine encore.1039.2

After the reading we had a few questions. And I signed a few books.

Altogether a pleasant evening. It was nice to have both of my daughters, Carisa and Christiane, and my granddaughter, Calliope, with me.

Thanks to Christiane for taking the pictures.

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Bookmine Encore

bookmine door with bookA chill breeze swept in through the open doorway of The Bookmine in Cottage Grove the evening of the season’s first Art Walk in April.

I was at this bookstore on Cottage Grove’s historic Main Street to sign and sell my books and had planned to do a reading from my new novel, The Shifting Winds.

Proprietor Gail Hoelzle came over to my table toward the end of the scheduled event and smiled. “I think we should have another event for you, a regular signing and reading.”

That sounded good to me. The Bookmine had hosted me a couple of years earlier with my first book, A Place of Her Own, a very successful event.

“Actually we’ve done quite well this evening,” I told her.

“I know. You sold a lot of books, but you didn’t get to read.”

There never seemed a good time for a reading because the people kept moving through, apparently wanting to visit as many businesses as possible on that chilly day–and maybe to beat the rain, which had threatened all day and finally struck in earnest just before the final hour came to an end.

bookmine doorwaySo we’re doing an encore, a regular book signing and reading at The Bookmine, one of my favorite stores. It’s Thursday evening, June 23, from 5 to 7, hopefully a pleasant summer day this time.

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Gala Readers

Readers for the Mid-Valley Willamette Writers Author’s Celebration annual gala relax a little after reading from their new published works last night at Tsunami Books in Eugene. From left to right, the 2016 group: Julie Dawn, Bill Cameron, Sarina Dorie, Valerie Brooks, and me, Janet Fisher.

WW gala readers (2)Bill opened the evening with an intense reading from his young adult mystery, Property of the State, which is so new he had only one copy available last night. The book will be released next week by The Poisoned Pencil. Next up was Julie Dawn, writer of “a different kind of horror,” reading from her new novel, Yosemite Rising. I read a couple of excerpts then from The Shifting Winds, part of the opening scene, followed by one of Joe Meek’s stories, a tale he actually told. I did my best to give it the Joe Meek flavor with his Kentucky drawl and mountain man jargon.

Valerie Brooks read next from her TravelNoirStories set in the intrigue of Paris, one of her favorite places. Her book is so new she didn’t have copies yet, but it’s coming out soon. Sarina Dorie closed the evening on a light note with a reading from her book Fairies, Robots and Unicorns–Oh My! A Collection of Funny Short Stories. From the collection she read “Eels for Heels,” a humorous urban fantasy romance previously published in Roar magazine.

It was a delightful evening. Despite the usual jitters that come from sharing our own work, all the readers seemed to have a good time, encouraged by a very receptive audience. After the readings we enjoyed chatting, selling a few books, and sampling wine and snacks.

The gala event serves to showcase published authors from the Mid-Valley Willamette Writers group with the readers chosen from entries submitted. This was the third annual gala.

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Author Gala Reading

The annual Mid-Valley Willamette Writers Author Celebration happens next week when several members are selected to read from their published works. I’m excited to be one of the readers again. At this year’s event I’ll be reading from my new historical novel, The Shifting Winds.

Pulling up some pleasant memories, here’s the group that read in 2014 at the first of these gala events. That time I read from A Place of Her Own, which had just been released.

WW ReadersWhat a fun evening! It was so exciting to be sharing my very first published book. A great time for us all. I developed some lasting friendships from that gathering. We were at Tsunami Books in Eugene, the regular meeting place for the Mid-Valley Willamette Writers, and the gala will be at the same place this year.

Author Gala Poster 2016Here’s the poster for the event. It’s the first Thursday of the month, the usual meeting night for the group, June 2, from 7 to 9 pm.

We’ll have fewer readers this time, including Valerie Brooks, Bill Cameron, Julie Dawn, Sarina Dorie, and me.

As noted on the poster it’s open to the public. The suggested donation is one new or gently used children’s book or a small cash donation in support of the group’s Books for Kids program. Tsunami Books is at 2585 Willamette Street in Eugene.

I’ll be reading the opening scene from The Shifting Winds and introducing one of the real historic characters from my book, Joe Meek, mountain man extraordinaire.

joe mural smallerHere he is portrayed in his immortal role at the gathering of settlers at Champoeg in May 1843, just 173 years ago.

American settlers were hoping for an agreement that would give them the protection of law in this isolated frontier.

When the vote seemed uncertain, the bold mountaineer called out in his booming voice, “Who’s fer a divide?” And the voters lined up to be counted.

This large mural is displayed in the Oregon State Capitol building. That’s Joe in the red shirt toward the front, rifle in hand, calling for the divide.

He was a storyteller at heart, which I guess all of us authors must be too. I look forward to hearing readings from the stories of my fellow Mid-Valley Willamette Writers authors and look forward to sharing my own.

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Prose at Poetry Night

The Axe & Fiddle, a pub in historic downtown Cottage Grove, offers a change of pace this coming Tuesday night, May 17, when the entertainment turns to words. Poetry Night happens just once a month at this restaurant and public house known for its live music and craft brews, full bar, and locally sourced food, and I’m delighted to be their featured guest. But I won’t be reading poetry–or singing it.

1008.Axe&Fid - closeInstead they have asked me to read from my new historical novel about Oregon’s early days, The Shifting Winds. So in keeping with the night’s theme, I’ll select a couple of short excerpts that present a bit of what might be called poetic prose.

1007.Axe&Fid - longYou’ll find the Axe & Fiddle on Cottage Grove’s historic Main Street on the corner of 7th and Main, next door to Kalapuya Books, the bookstore that presents Poetry Night. The building is shown at right.

The show starts at 7:30 pm and is expected to run until 9:30. They open at 4 pm, so there’s plenty of time to stop in beforehand for dinner or a drink, or both, and the doors are open Tuesdays until midnight.

So what’s poetic prose? To me, it seems to show up in description that paints a scene with a touch of velvet in the words. I’ll read one of those at the event. Then it may be a stretch of the word poetic, but I’d also like to read a segment I’ve never tried for any of my other readings.

1005.Axe&Fid - sideIn this book, although my lead characters are fictional, I also have some real people meandering through the pages. It’s a story with a lot of real history and those people sometimes play their factual parts in the historic scenes.

One of my more colorful real characters is mountain man Joe Meek, and the book includes half a dozen or so stories that Joe actually told to 19th century author Frances Fuller Victor for her 1870 book River of the West about Joe’s life as a fur trapper in the Rockies and his life in western Oregon as a settler. Joe’s speech is a mix of Kentucky, the vernacular of a mountain man, and traces that come from a boy who preferred to play with his father’s slaves rather than go to school. Poetic? Well, he was an inveterate storyteller whose words carry a certain ring.

I’m looking forward to a fun evening at the Axe & Fiddle, a very different venue than I’ve tried before. I’ll have books there for sale, copies of The Shifting Winds and also my previous book, A Place of Her Own. A big thanks to Betsy at Kalapuya Books for the invite.

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Stories of Story

I spoke at the Roseburg Rotary Club meeting last night. They invited me to talk about my new book The Shifting Winds, and when I began putting together my speech for this I struggled a bit. What could I say in 20 minutes to give the essence of this full-length novel and still entertain an audience? So I asked myself, what is special about this particular book? Well, for one thing, the historical setting stands out. This story steps back in time to places here in the Pacific Northwest–like Fort Vancouver, a historic site you can visit today. And I had stories about that.

Ft.Vanc.Big House Front (3)The Big House was the home of the commanding officer at the Hudson’s Bay Company’s Fort Vancouver, the western headquarters of the British fur trading empire during the nineteenth century. Much of the fort has been reconstructed on the original site in what is now Vancouver, Washington, with meticulous attention to authenticity.

As I mulled over ways to present this information, the thought came to me that people want to hear stories, so my speech told stories about my story. The Shifting Winds is a historical novel of the 1840s Oregon Territory with a lot of real historical drama set in real places. While it’s often hard to find a historic site unaltered by modernization, the reconstructed Fort Vancouver can take you right back into these early times. Ft.Vanc.Douglas Sitting Room

You can walk into the chief factor’s house where characters from my story walked and see the furnished rooms as they would have appeared in the 1840s.

You can stroll across the grounds where my characters strolled and see the Indian Trade Store and hear the blacksmith’s hammer striking hot metal on the anvil.

So in my speech I told about visiting the fort for research that inspired the book. Then I told about my dream of holding an event at the fort for this newly published book–and how it happened that this dream will come true in July. My stories.

Another way to tell about a book is to read from it. So I did that too. I’ve heard it said that we’re hardwired for stories. It’s how we communicate and our stories tend to have a beginning, a middle, and an end. We expect resolution.

But of course if you want people to read your book, you don’t want to spoil their reading by giving away the end. So you stop short, leaving them guessing. The cliff hanger. This jolts their innate sense of story.

Willamette Falls (2)One of the excerpts I shared in the speech showed my characters trekking up the portage trail around the Willamette Falls. Modernization may have dimmed the glory of these falls in what is now Oregon City, but the power of the water cannot be denied. The thrum rolls through you when you stand nearby, and you can see why the settlers rushed to claim it.

That except follows the protagonist as she tells her suitor good-bye at the head of the falls, then decides to take a walk alone in the woods above town. There’s a reason she’s been warned against going into the woods by herself, and when she comes face to face with danger I choose to leave the vignette hanging. The audience reacted with a burst of groans and uneasy laughter as I had hoped. The tension strikes because we need the satisfying conclusion as part of our sense of story. Resolution.

So throughout the evening we shared story. Even before the meeting when I met my friend Laura Lusa who’d arranged for me to speak, she and I sat down together and shared our stories. “How are you doing?” I ask. She answers with her story. I respond with mine. Unfinished stories. How will they turn out? Will there be resolution?

During Q & A I found myself answering questions with snippets of story. And after my speech people came up to talk to me. They told me their stories–about their pioneer families, their interests in history–and I came to know them a little bit better.

Stories. It’s how we communicate. And perhaps that’s why we so need the complete stories in books. When our own stories lack completion, we answer part of our need by reading a well-crafted book with a beginning, a middle, and a satisfying end. Resolution.

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Spring Art Walk Event

It must be spring! The first Art Walk of the season comes this Friday, April 29, to the charming historic downtown of Cottage Grove. And I’ll be there with my books at The Bookmine from 6 to 8 pm or later. It’s such a great store–a pleasant place to hang out during the Art Walk, or anytime for that matter.

bookmine & bikesThis small Oregon town enjoys the good fortune of having three bookstores within five blocks on Main Street, from The Bookmine at 702 to Kalapuya Books at 637 to Books on Main at 319, and I’m happy to say they all stock my books. They also have a wonderful library a few blocks away (and, yes, my books are there too). A very literary place.

I lived in Cottage Grove for several years before moving to the family farm in Douglas County, and the people of Cottage Grove continue to be supportive. I am most grateful.

The town’s Art Walk happens on the last Friday of the month from April to October. You’ll find food, art, music, a variety of shopping at the local shops, and of course books.

I’ll read a time or two from my new historical novel, The Shifting Winds, and will have that one as well as my first, A Place of Her Own, available for signing. The Shifting Winds is a fictional tale set in a lot of true history. A Place of Her Own is a true story with some creative conjecture. They’re both Oregon Trail stories about strong pioneer women. I’ll be open to informal Q & A as people stop by and to just chatting about the new story and my other work and your own stories.

If you’re in the neighborhood I hope you’ll visit me at The Bookmine.

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Gift Shops for Books

Gift shops and other general merchandise outlets can be great places to find books and often provide nice displays for local authors, like this one at Roseburg Book and Stationery in Roseburg, Oregon, near my home.

Gift shp 4.14.16 Rsbg BkThis store on Roseburg’s downtown Jackson Street has been around for over 100 years, and it has generally been more stationery than book, with a wide selection of office supplies, greeting cards, and gift items.

The place is taking on a new shine under new owner Jason Byers, and they’re now proudly displaying the work of local authors and hosting the occasional signing. This is good for the community and good for the authors to have more exposure. It’s not difficult to find me in the display. And they sell.

Thank you, Roseburg Book and Stationery.

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