For the Love of Ireland – It’s a Trilogy

One of the most exciting things for a writer is when the ideas flood in. I’m thrilled to say that I’ve been having that kind of creative fever with one more story set in ancient Ireland. This one will make a trilogy.

I took the photo above when I had just stepped away from the heart of my trilogy, the Bohonagh Stone Circle in southern Ireland near the small town of Rosscarbery. It’s the sacred Golden Eagle Circle for my fictional clan. I glanced back to see it one more time before I left on my last visit, wondering if I would ever see it again. This image with the powerful clouds nearly took my breath away.

I’ve been living virtually in ancient Ireland for some time now as I set my stories in that enchanting place. Why do I love Ireland so much? Because it’s like home but with cool ancient stuff? I recently posted comparative pictures on Facebook, posing that question.

There’s this, below, one of Ireland’s back roads, a short walk from the wonderful Rosalithir B&B where I stay. The stone circle on the skyline isn’t quite visible in the shot.

And next, below, the hill above my house. Someone mentioned that I simply had to imagine the castles and ruins on my hill.

So maybe there’s some inspiration right outside my door.

I sent book two to my agent last week. She has book one already. Yesterday I wrote the first four pages of the third in the trilogy to see how my new thoughts looked on the page. I’ll stop now and follow my usual process. I’m an outliner, so I’ll outline. I already have the storyline, the list of scenes I use to track it, and I’ve organized my many notes in the order of that storyline. So from that I’ll do the outline, which for book two took three weeks. And from the outline I’ll write the first draft.

Things will shift. New ideas will come. That always happens. But it’s real now. I feel the distress of my protagonist, her hopes, her fears. I’m beginning to know the other players. It’ll be pure delight for me to step back into her world, that enchantment of Ireland. I call it Éire, an older name for Ireland, if not as old as my story, which begins in 713 B.C.

Then with the conclusion of the third in the trilogy I’ll turn my focus to the rest of the collection, which will be a saga of prequels about the ancestors of my characters in the trilogy.

In the photo below, it’s their sacred circle close-up, where they come to dance and bring the sky and earth together, or to find quiet and connection. And more.

And below, from the southern stone to the sea. Note how the slant of the stone’s top echoes the slant of the gap to the blue water.

And down to the sea below their village, where my new protagonist was shocked as a child by how cold the water was.

A Muse and the Power of Names

721.fog on mountain

My muse has been visiting me for the past three weeks, breathing words and ideas into my mind like fog drifting into the timbered mountains with refreshing beads of vapor. I have experienced creative fever before, but never for this length of time or with this power.

I had the premise for a story in my series set in the days of ancient Minoan Crete. I had written three already and I wondered what I would do this winter—with time to write and no story compelling me. For this one I had a few names brought over from the earlier books, but I didn’t really know most of the characters. The two I knew best had carried another story in the series, and while I’d become so attached to these two that I had trouble leaving them, I knew the next book had to be focused on the new people.

The trigger for my muse came when I was doing a final reading of Book One in the series and came across a family name connected with my new protagonist. It would have been the name of her great-grandmother, and was only mentioned once in the first book. That name touched me, as the name I’d previously given the new character did not.

I decided to rename my protagonist. Logical, I thought, for her mother to name her after an ancestress. And with that change, she went from being a sweet girl, the delight of her mother and her people, to being a young woman who could break men’s hearts—and her own in the process—never intending harm but rushing headlong into life with all its joys and perils. Then, while I was still caught in the excitement of getting acquainted with this intriguing person, I considered another character. I had a minor role for him, although a key role. When I named him he moved into the story with stunning force that changed their world. My muse put the rest together—I think with sheer pleasure.

I’m not ready to reveal those names, but in three weeks’ time I have drawn up an entire storyline. I have over 80 single-spaced pages of notes, a preliminary outline of scenes, and am ready to put together my working outline from which I’ll write the first draft. I expect my muse to continue whispering small thoughts, and the story may shift here and there. They always do.

But I will never doubt the power of names to inspire a story.

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