One of the most exciting things for a writer is when the ideas flood in. I’m thrilled to say that I’ve been having that kind of creative fever with one more story set in ancient Ireland. This one will make a trilogy.
I took the photo above when I had just stepped away from the heart of my trilogy, the Bohonagh Stone Circle in southern Ireland near the small town of Rosscarbery. It’s the sacred Golden Eagle Circle for my fictional clan. I glanced back to see it one more time before I left on my last visit, wondering if I would ever see it again. This image with the powerful clouds nearly took my breath away.
I’ve been living virtually in ancient Ireland for some time now as I set my stories in that enchanting place. Why do I love Ireland so much? Because it’s like home but with cool ancient stuff? I recently posted comparative pictures on Facebook, posing that question.
There’s this, below, one of Ireland’s back roads, a short walk from the wonderful Rosalithir B&B where I stay. The stone circle on the skyline isn’t quite visible in the shot.
And next, below, the hill above my house. Someone mentioned that I simply had to imagine the castles and ruins on my hill.
So maybe there’s some inspiration right outside my door.
I sent book two to my agent last week. She has book one already. Yesterday I wrote the first four pages of the third in the trilogy to see how my new thoughts looked on the page. I’ll stop now and follow my usual process. I’m an outliner, so I’ll outline. I already have the storyline, the list of scenes I use to track it, and I’ve organized my many notes in the order of that storyline. So from that I’ll do the outline, which for book two took three weeks. And from the outline I’ll write the first draft.
Things will shift. New ideas will come. That always happens. But it’s real now. I feel the distress of my protagonist, her hopes, her fears. I’m beginning to know the other players. It’ll be pure delight for me to step back into her world, that enchantment of Ireland. I call it Éire, an older name for Ireland, if not as old as my story, which begins in 713 B.C.
Then with the conclusion of the third in the trilogy I’ll turn my focus to the rest of the collection, which will be a saga of prequels about the ancestors of my characters in the trilogy.
In the photo below, it’s their sacred circle close-up, where they come to dance and bring the sky and earth together, or to find quiet and connection. And more.
And below, from the southern stone to the sea. Note how the slant of the stone’s top echoes the slant of the gap to the blue water.
And down to the sea below their village, where my new protagonist was shocked as a child by how cold the water was.
As drought dries the landscape of my Oregon home, turning the green to gold, I dream of the green fields of Ireland.
Horses in Ireland’s green fields
One day soon I hope to revisit the magic of Ireland. Meanwhile my books take me there.
My upcoming book series features two island settings–Ireland and Crete. For some time I have started this ancient historical saga in Crete, but I’m bringing Ireland forward now with Whisper of Wings as the opening book, where they call the place by its old name Éire.
Irish clan leader Bria knew only peace before the slave traders came, but she must now learn the grief of bearing weapons of war to save her People of the Stones. The Éireanns play a role in most of the other stories.
I first visited Ireland because of my Irish roots. My DNA shows at least a trickle of Irish blood. I know my maternal grandparents were both part Irish. That was enough for me to adopt the place.
By the next trip I had learned more about the stone circles scattered over Ireland and had drafted Whisper of Wings. One more trip helped answer new questions that came up as the series grew. I see another Irish book in the future, beyond the series–or loosely tied to it. The island shall always hold a special place in my heart. The green and the friendliness of its people and the magic of its ancient monuments refresh my soul.
Irish back roads on the way to Bohonagh Stone Circle near RosscarberyThe magic of ancient stones and new spring bluebells at Bohonagh Stone Circle, Ireland
The story waits, ready to be written from a skeletal document inside the computer, a hard copy of that framework in the blue notebook shown below. The outline.
In my mind I see not the words but the people and places, like the wondrous temple of Knossos on the Greek island of Crete. And the green fields of Ireland that resemble my own green knolls on this soft May afternoon in Oregon.
The grand pillars of Knossos.Green fields of Ireland.
The characters are almost as real to me as my neighbors—because I move inside them as I show their story. I laughed with delight when I heard travel guide Rick Steves comment about the ancient Romans. They “were just people, like you and me, without electricity.”
True, they had different customs, but they felt joy and sadness and love and fury just as we do. For me it has always been exciting to imagine what life was like in ancient times—or will be in the future. I love Star Trek too. But these ancient times in these two unique islands caught my heart.
To outline or not to outline?
Authors often hold strong views on that question. Non-outline writers may insist they’d be hemmed in by an outline. Outliners like me can’t imagine drawing all those threads together without one. I would never let the outline stop me from taking new directions. But I’m not just keeping threads together for one book.
This is a series that follows two great families through the generations—the high priestesses and kings of Crete, the clan mothers and chiefs of Éire. This new story begins about 100 years after the opening scenes of Book One in the series. I have to keep track of them all.
Besides consistency, each story requires new research. Scholars keep digging and adding more information. Sometimes I find details—either new or new to me—that affect other stories in the series. For instance when I first started writing about voyages from Crete to Ireland I assumed it would take many months to make the journey. But I found a website where you could enter names of modern ports, designate the speed of travel, and voila. They give you the overall trip time. I had to cut the time dramatically. Of course I had to determine from other sources how fast the ancient ships might go with their single square sails and ranks of oarsmen. I found estimates for similar Viking ships, other estimates for simple rowing, prevailing winds that would increase or decrease the speed.
In other instances when you’re writing a tight storyline where you want a lot to happen in a day you have to figure out what you can fit into that day and roughly what hour events can happen—even though I can’t express time in hours for people who lived by the sun, moon, and stars, not the clock. Another website tells exactly when dawn and dusk happen on any given day in any given setting. It’s not just how fast a ship can go, but a horse, a man, a woman. All these details take time to calculate. I don’t want to stop in the middle of a fast-moving scene to figure it out. So that goes into the outline. From that the rough draft can move swiftly.
Now this new one is ready for me to plunge in and live it as the words flow.
When we’re called to shelter the walls may feel tight. Yet I’m grateful to be able to shelter on our farm. Walks on the mountain have brought daily joy. Spring has come and gone. Summer’s here. The lavender’s in bloom.
I’m also grateful my work is here, and I can immerse myself in that. I’m working on the series, two trilogies, one centered in ancient Minoan Crete, the other in ancient Ireland. They’re complete now. But before my agent sent Book One to a new publishing house recently she suggested I review it.
Review it.
Two simple words. But it meant going through the whole thing. So in silence I entered that world once again–and found places to heighten the tension, smooth the flow. After she sent that off it occurred to me that if I found places to improve in Book One, maybe I’d better review Book Two–which led to reviewing Book Four, one I had recently revised dramatically. And once I read that I thought I’d better make sure the required changes in the opening of Book Five still worked. I got caught up in that story and didn’t really know where to stop, so I read it all. Book Six is a bit long and I think I should see if I could trim it a little–which will require a full read. But I got to thinking about Book Three, which I had skipped because it has always read so well, thanks to my muse who breathed so much of that story into my ear. What if I could make it just a bit better? I reviewed it. No big changes but worth the read.
Because I have been so deep into this, I haven’t been on social media much. It’s in the silence that I make progress.
Looking Toward Mount Youktas from the Cretan Ruins of Knossos
The opening scene of one book in my series starts here in this ancient pre-Greek setting, where protagonist Helaina looks out from the temple of Knossos to the sacred mountain of Youktas on the horizon. It’s a critical morning when she will have to leap a fierce bull in a perilous ritual for her people.
It’s a story of poignant desire and guilt, swordplay and valor on land and sea, passionate trysts that must never be told, and a love that won’t let go.
I have declared it finished I don’t know how many times. Every time it has come back wanting. And every time I have dug deeper to make it work. I’ve written five more in the series–taking us from Crete to Ireland and points in between. Those five stand waiting, virtually complete. I think this one is the most difficult because it’s the oldest, but it’s essential to the saga.
In late October my agent called me and we had a brainstorming session over the phone. Out of that, I opened my mind to dramatic changes. Once you start pulling at the threads of a tapestry, huge sections may unravel, leaving the possibility of weaving in new images you never thought would emerge. I threw out whole chapters and wrote new. I brought in new characters, took new pathways.
Creative juices flowed as they hadn’t since the muse whispered most of another to me.
Now I love it more than I ever have, and I’m declaring it ready one more time. Can Helaina leap that bull and carry this story on?
The beauties of Oregon’s remarkable coast become the focus next weekend when I venture to Conrad Books in Winchester Bay on Saturday, August 24, from 3 to 5, for a signing party and reading of my books.
It’s time for the town’s celebration of Kool Coastal Nights, and Izzy Pescadero, new proprietor of Conrad Books, asked me come share the fun. Conrad Books is a great little bookstore with a big heart and fantastic view overlooking the bay, just west of Griff’s seafood restaurant.
It’s at 156 Bay Front Loop about five miles south of downtown Reedsport, off Highway 101.
Under Izzy’s new management it’s a friendly place with new and used books, even vintage, soft couches, music, art, poetry. And the coffee’s always on.
I’ll be reading short segments from my Oregon Trail stories, A Place of Her Own and Nancy Pearl Book Award Finalist The Shifting Winds, and possibly a little preview of my upcoming book of adventure and romance in the exotic pre-Greek world of ancient Crete. And of course I’ll have books there to sign and sell.
If you’re nearby or looking for a destination of fun and spectacular beauty, please come join us. Listen to a snippet of story while watching the sun drift low over the bay and share laughs in the good company of book lovers.
My fiction turned real a few days ago when I was working on a bull-leaping scene for my book of ancient Crete, trying to give the work more dazzle with yet one more edit. The Cretans did leap bulls with long, sharp horns back in 1470 BC, and they painted frescoes to illustrate it, like the one shown here.
Bull Leap Fresco at Knossos Ruins in Crete
I wanted to portray the scene so a reader could live it with me. I was digging through the unabridged dictionary checking on a word for that very scene. Imagine my surprise when a similar bull with very long horns charged onto my property.
Unwelcome visitor arrives ~ Photo by Robin Loznak
Now, there’s a little inspiration for dazzle. I had recently contracted with developmental editor Judith Lindbergh to review the first 126 pages. And review she did. She was thorough and incisive. It was a little overwhelming. No, strike “a little.” Edit that out. It was overwhelming.
But I was plowing through, sort of like that visiting bull plowed through fences. New inspiration struck. I became excited, obsessive.
All progress stopped when I looked out my window and saw this fellow coming down my road, wagging his impressive horns.
Bull approaches Trevor
Trevor Cooley, who helps his dad, Ed, run cattle on my place, had a problem on his hands. The bull had already burst into the fields below to challenge Ed’s bulls and steers. Here, right outside my door, the critter tossed his head at Trevor with an aggressive display. That electric wire gate looked mighty thin as Trevor phoned for help. I grabbed the camera, keeping the front door open and assuring Trevor he could run inside if need be.
The bull kept coming.
Too close for comfort
Trevor flung a little gravel at him and the critter turned away to trot down the grassy slope, tangling himself in electric fencing as he went. But he soon broke through and made his way down into the brushy gully.
By evening someone had located his owner. The man walked right up to him–almost. I was impressed. The owner couldn’t quite catch him and couldn’t drive him into the corral. After many tries he gave it up. The next morning the bull was gone. Last I heard it was on the far side of the mountain at the neighbor’s property.
But the bull did leave me with a touch of reality for the story.
My protagonist leaps a horned bull like that, one that even has a similar dapple-brown coat like the bull shown in the fresco. She has help. Grapplers hold the bull by the horns while two young men kneel in front of him, hands together. She jumps on their hands for the lift she needs to soar up and grab the ridge on the animal’s head between the deadly horns. Then she performs a front flip, her feet going over her head and down on his back–the critical crossing. One more flip and she lands on her feet on the ground behind him, into the arms of her catcher.
Of course, it being a story, the thing can’t go that smoothly. It needs tension. It needs dazzle.
Watching that bull, I was glad my protagonist did the leap, not me.
We flew out of Shannon airport on our homeward-bound journey. Lynn and I had bought our tickets separately so we weren’t seated together. For the Shannon-Philadelphia leg of the trip I took my seat by the window and a couple of young Irishmen sat beside me. They were on their way to San Francisco, a place where I had lived for eight years. So as the plane lifted off I left their world as they looked forward to visiting mine. They had both just turned 21. Their boisterous excitement was infectious and I laughed with them, caught in their delight.
Me with Irish Travelers Stephen Kelliher (center) and David Harnett (right)
My trip wasn’t quite over. Setbacks awaited me in Los Angeles when our Philadelphia-LA plane landed late in LAX, where we had a short connection. Seated in the very last row, I had trouble getting past the other passengers, and we had long lines and two slow buses across the tarmac to reach my gate. Lynn was well ahead of me.
By the time I found my gate, panting from my run, there were no passengers left, just an attendant standing alone at the gate. She asked me if I was Janet Fisher. Hopeful they were waiting for me, I answered yes in a gasping voice. She phoned the plane and shook her head at me. “They’ve already left. You’re too late.” No! That couldn’t be. “My friend is already on the plane,” I told her. “I have to be on that plane.”
The phone rang. The pilot had agreed to open the door for me. The plane hadn’t actually pulled away. I broke into tears. The attendant led me to the plane’s door. Once inside, I stumbled down the aisle as passengers applauded with smiling faces. Lynn was beaming and gave me a big hug when I sat down, still crying softly. She had begged them to wait, certain I was coming.
Exhausted, I settled back in the seat for the last leg of our journey, slowly recovering from that arduous finale to a long and wonderful trip—37 days of exploring the world of my ancient series.
Port of Tiryns (Nafplio, Greece)
Outlaw Hideout (Buttermere, Lake District, England)
During those 37 days I became steeped in the past, as I sought the places that define these stories.
Alabaster Chair, Knossos (Crete)
Golden Eagle Circle (Bohonagh, near Rosscarbery, Ireland)
I had the good fortune of meeting several archeologists whose work takes them into the ancient times. And others who simply love their history.
Fábio and Sónia, Archeologists at Zambujal, Unexpected Guides (Portugal)
Mário, Archeologist, Guide on Megalithic Tour at Almendres Cromlech (Portugal)
I felt the raw edge of cultures different from my own and the universal embrace of friendly people.
Streets of Fira, Santorini (Greece)
Catherine and Me at Drombeg Circle (near Rosscarbery, Ireland), photo by Lynn
I immersed myself in the book settings and felt my characters walking along these places. As I walked with them I remembered their tears and joys. My own tears came, and my joy.
My bout with food poisoning had made me lose a day, but I told myself I had gained a day when jet lag didn’t hold me back. If I ventured out on this last day in Crete I could call it even.
A good night’s sleep after a day of rest restored me enough to keep to my plan for visiting Fodhele Beach and maybe Amnisos. I had only a few scenes at Fodhele Beach, a spot just 17 miles west of Heraklion. I had been in the vicinity on my first trip to Crete and had found good pictures of the site on Google Maps. But I did want to go down onto the beach and get a feel for it. I dared eat a little more for breakfast, corn flakes and peaches, not my usual fare but it went well.
So I headed for the bus station. I didn’t see the man in blue who’d helped me find my bus before, but a tiny young woman with long red hair swept in like an angel in blue jeans and gray cardigan. She seemed to be directing passengers. It’s not unusual for locals to offer help so I supposed she was a local. I told her I wanted to go to Fodhele Beach. She not only showed me the right bus. She said she would show me where to get off. Wonderful! She was going my way.
On the bus it soon appeared she was more than a traveler because she started taking money for tickets. The bus meandered up the coast and stopped in what seemed to be the middle of nowhere. She smiled at me and indicated I should get off there.
I was a bit dubious. Not many other passengers were getting off, and when the bus left me standing beside the road I heard nothing but goats bleating on the barren mountain of scrubby maquis on the other side of the road. Wild goats? Or tame? The quiet resonated. I watched the goats as they traipsed across the steep rocky slopes. I didn’t see a beach or a town. Where was I? A lone woman started down a narrow road on this side where I finally saw a small sign pointing to a beach. I followed her. Surely my angel wouldn’t have led me astray.
Fodhele Beach, Crete
Before long I saw what looked like an elaborate resort perched above a stunning blue bay with a wide sweep of sandy beach. Wooden walkways stretched across the sand for easy walking. I wandered up a few of those, imagining my scene with the battle storming over the beach and I picked out the places my warriors could hide before joining the fray. Once I had a feel for that I proceeded to explore.
House at Fodhele Beach
Opposite the resort several simpler establishments followed a narrow roadway leading toward the far headland, a few restaurants, some houses. I decided to check them out. One house looked particularly inviting with its pointy gate. Still feeling sapped of energy from my sickness, I took my time walking up the gentle slope. Such a peaceful place for the havoc I created there in my story, but I liked the juxtaposition.
Clear Water at Fodhele
Farther up the road past the buildings I came to a spot where I looked down on water so clear I could see the rocks shimmering far out on the seabed.
The headland on my right jutted into that clear sea, and I could imagine the Cretan fleet coming around that promontory, thrilling my protagonist who so needs to see them.
Headland at Fodhele Beach
Hunger led me back to the restaurants. I wasn’t sure what I could eat, but I had to eat something. I chose a place with tables and umbrellas right out on the beach and an open covered deck in the building behind. The day was growing hot and it seemed cooler back in the covered area. I suggested as much to the waiter and he nodded. “Yes, it’s cooler in here.”
Fodhele Restaurant
I took a place on the outer edge of the deck where I could look out on the fabulous beauty of the beach. I studied the menu carefully and saw only one thing I wanted. A Greek salad with fresh tomatoes, feta, Greek olives, and the works, with some of that wonderful bread they serve in Crete. Did I dare? It sure wasn’t on the BRAT diet. I ordered the salad without the onions and cucumbers. It was lovely. My stomach argued only a tiny bit. The salad was worth it if that was all the objection I got. I stayed for a long time just soaking in the peaceful Mediterranean beauty, happy that the setting worked well for my scenes. Voices murmured and bright white seagulls cried, soaring with black-tipped wings.
The waiter told me where to go to catch the bus. Steps led straight up a steep embankment, partly covered in some kind of succulent. I should have taken a picture. The road’s guardrail blocked the top and I had to step over that. A covered bus stop stood only a few feet away.
Before long the red-haired angel appeared. Angel or Greek goddess? Poof! She’s there!
“You’re everywhere,” I said.
She laughed. She had gotten off in the main village of Fodhele, a few kilometers from the beach. I think she said it was her home. We chatted as we waited for the bus, and when the bus came and we got on she took tickets for new passengers. Just like that.
Back at the bus station I asked how I could reach Amnisos, my last destination in Crete. I got several directions. None clear. The angel had left. After a short rest at the hotel I decided I had time and energy enough to make this last short hop. I finally found the right bus stop in the center of Heraklion and waited. And waited. I was about to give up when the Amnisos bus came.
Amnisos Beach
At my destination I walked down to the golden beach of the ancient village of Amnisos that once served as a port for Knossos, since Knossos lay a few miles inland. The sand was golden as advertised, but I couldn’t help feeling that my character Sarena who loved this place so much might be terribly disappointed with what has happened to it. The place has been thoroughly commercialized. The hills are rockier, more barren than I imagined. But with pretty white block houses overlooking the beach–as in Sarena’s time–it would be nicer. I believe that during her days the climate was wetter, so things would probably have been greener.
I had read that there were Minoan ruins at Amnisos but I never found them. People tried to direct me, pointing, smiling. “Yes, go that way, you’ll see.” “Just up the road there.” But I never saw and could never be sure they understood me. I think they wanted to help but had no idea. The heat of the day had turned fierce, and after many dead ends I headed back for the bus stop, discouraged.
I did get a free bus ride back. The drivers like change. They don’t want bills. But I didn’t have enough change. I handed the driver a 5-euro bill. He scowled at it a moment, then shoved it back into my palm, voice sharp. “Sit! Sit!”
The second day of my journey I planned a bus trip to Kastelli, a small town east of Heraklion, Crete, that’s probably not on many a traveler’s list. But I wasn’t looking for tourist spots this time. My tummy felt a little grumbly so I had to bypass some of the richer dainties among the fabulous breakfast offerings and hurried to the familiar Heraklion bus station. I had only three more days in Crete, and I didn’t want anything to slow me down.
Heraklion Bus Station
The station is a lively place where Greek exuberance abounds. Yet it can be confusing with announcements in Greek and routes not always clear. The man in blue insisted he would let me know when my bus came. I should sit on the bench and not worry. “Relax. This is Crete. We don’t worry here.”
Okay, but I didn’t want to sit on the bench where people were smoking. So many smokers. The man seemed a little offended, as if I didn’t trust him to remember me among all the other travelers. I wondered how he could possibly remember one among many, but in fact he did.
Delight
I was soon on a fine bus to Kastelli. The Greek buses are great. Comfortable, cheap, and they take you to every corner, it seems, often with Greek music playing as they charge around narrow, curvy roads that make the elderly Greek women cross themselves. How can you not be in good spirits?
The bus sailed by Knossos and was continuing south on a thrilling road when I caught sight of one of the destinations on my itinerary, the ancient aqueduct across the Kairatos River at Spilia. I could see the arches ahead.
Ancient Aqueduct over Kairatos River, Crete
Before the trip I had been trying to figure out if any bridges had been discovered around Knossos besides one that crosses the Vlychia Stream to the south. That stream flows into the Kairatos River, which runs along the east side of Knossos, and for the people to access points east, they needed a bridge across that main river. I wanted to describe them crossing it. I had contacted Dr. Yuri Gorokhovich, Associate Professor at the City University of New York, who brought my attention to this aqueduct across the Kairatos River built by the Romans and later reconstructed by Venetians and then Egyptians. He said the Romans often chose existing structures to build upon, so there might have been a bridge or aqueduct there in the Minoan period. Pantelis Soupios, Professor at the Technological Institute of Crete, discussed with us the possibility of digging for evidence of an older foundation, but that didn’t seem feasible at this time.
Since I’m writing fiction I feel free to locate my own bridges as long as nobody has discovered something real. In choosing a bridge site Pantelis brought up the consideration of where the river may be the narrowest and the logical route between points of interest. The modern road south of Knossos follows the west bank of the Karaitos River, then crosses it below this old aqueduct to continue south on the east bank. Ancient roads might have taken the same route, given the lay of the land.
I decided to adopt the Spilia site for one of my bridges with thanks to Yuri and Pantelis.
The aqueduct is only a one-mile walk from Knossos so I had thought I might walk there the day of my next visit to Knossos. Now, as the bus rolled along the narrow road with no safe place for pedestrians–and cars and huge buses zipping one way and another–I began to rethink the walk. My bus went right by it, crossing the Kairatos River on the low modern bridge just downstream. I did my best to soak in the sight, and snapped photos. I would look for it again on the return bus.
Cretan Landscape near Villa
As we continued eastward I watched the beautiful countryside slip past, places I describe in my books. I had been in the vicinity before and had visited on Google Maps, but I wanted to assure myself I had the right sense of it. I was on my way to Eudora’s villa, a fictional setting. When my settings take me to real places like Knossos, which many people visit and many scholars have studied, I feel the need to have all the particulars as right as I can get them. So I studied Knossos extensively. But for a fictional setting like the villa of the character Eudora, I just want to have the general landscape right.
I’d picked Kastelli on the map because it was about 15 miles east of Knossos, probably a half day’s ride by horseback. Imagine my surprise when I later learned that there’s a Minoan ruin a short walk from the town center. I had to see that. In Kastelli I got off the bus and the driver told me I should meet the return bus in the same place at 3 o’clock, the only bus back to Heraklion that day. I didn’t dare miss it. It wasn’t noon yet. I had plenty of time and I wanted to find the Minoan ruins.
The Villa
No one at the bus stop knew how to find it, so I went into a store and asked a woman there. She spoke clear English but didn’t know much about the place. An older man knew but didn’t speak English. Between them they gave me directions. Basically head up the hill and go just beyond the top. It’s up there. I headed up the hill, looking for the high point. And there it was. Eudora’s house.
Mountains Seen from Kastelli Ruins
It had turned a little drafty over the years, just the base walls left, but I let my imagination flow. The hills beyond it were just right. I was pretty excited. I spent a long time there, wandering around the fenced ruins to peer inside, sitting on the edge, letting the soft breezes touch me, carry me back to the distant days when people lived here, loved here, bore children here, died here.
Most of the time I had the place to myself. So quiet, except that the cover over the ruins made rippling noises, as if someone were there with me. It was the wind of course, but I couldn’t shake the sensation.
My rumbly tummy sent me down the hill. I told myself I was just hungry. I needed lunch. At a small place not far from the town center I got a lovely gyro sandwich with sizzling meat sliced from one of the vertical roasting spits so popular in Greece (the waiter said it was deer meat), the thin slices wrapped in a pita with tomatoes and yogurt and other trimmings.
My bus arrived early and parked. The driver headed for the taverna–for a coffee, I hoped. I sat in the shade waiting for 3 o’clock, writing impressions in my notebook.
Kastelli Street
The bus ride back was as delightful as the outbound trip and the driver’s hand steady on the winding roads through hills and valleys blanketed in a patchwork of gray-green olive groves and bright vineyards and villages. Forests of giant cypresses once covered many of Crete’s hills, long since depleted even before the years of my stories, having been logged for local construction and ship building and trade. Crete was known in ancient times for its cypresses. Both the pyramidal and a more free-form variety still dot the land, but not many giants.
Rockier slopes had reverted to the scrubby maquis of hardy evergreen bushes and herbs and tufty grasses common in lands on the Mediterranean.
That evening back in Heraklion I asked for a recommendation for dinner and had a fantastic meal–roast pork with a Minoan bean side dish, complimentary dessert of creamy jelled rice smothered in cinnamon and almonds, a small glass of raki with peach. Delicious.
Distress
In the middle of the night the slight nausea that had plagued me for a couple of days hit with sudden force. I lost my beautiful pork dinner. I lost my fresh gyro sandwich. I lost days of previously consumed meals in a siege I thought would never stop. By the time it subsided my mouth was like paper. I felt thin as a post, tummy concave. My bottled water was nearly gone and I wasn’t in the mood to risk tap water despite assurances of its safety. I called downstairs and a sympathetic man brought me a bottle of water.
I was pretty sure I knew what got me. The lukewarm chicken at the Athens airport that had no doubt been sitting out for hours. It had tasted a little off and I’d worried a little at the time. If only I had chosen the earlier flight from Athens to Heraklion I would never have seen that chicken. It could have been something else, but the tummy rumbles had started soon after.
Heraklion Street out Hotel Window
Now I sipped water, unable to sleep. I rested until 10 am or so and went down for tea and dry toast. No pretty dainties. I wished for a banana so I could start on the bland BRAT diet my stomach wanted–bananas, rice, applesauce, toast. They had no bananas. At least I got the toast part. That afternoon after sleeping on and off I ventured out to the market, which wasn’t too far away, and bought two bananas. Lunch and dinner.
The day’s plans were cancelled.
I was glad I had spent so much time that first day in Knossos and that I had gotten a good look at the aqueduct. I only had one day left in Crete, and I still wanted to see Fodhele Beach and the ancient port of Amnisos. Hoping for strength, I gazed out the hotel window and dozed again.