Styles change. Systems change. The Home page has taken on a whole new look, thanks to my daughter Christiane. She handles this portal to my website–which takes more technological know-how than I have.
The Home page banner photo shown above is one I took on my last evening at Rosscarbery, Ireland, on a recent site research trip to Europe. This bay provides a setting for many scenes in my upcoming ancient historical saga, the Distant Glimmer series. In the stories it’s called Golden Eagle Bay for the nearby Golden Eagle Clan. Today’s locals call this Owenahincha Beach on Rosscarbery Bay.
The new website design better showcases my available books too–A Place of Her Own, about my great-great grandmother Martha’s trek across the Oregon Trail, and Nancy Pearl Book Award finalist The Shifting Winds, about a young pioneer woman who finds herself in the midst of a clash between the US and Britain over who gets the rich territory of Oregon.
I have always used WordPress for my blog and a few other pages, while Christiane maintained Home, Bio, Books, and more. Now everything but the Home portal is WordPress, and I can maintain those on my own. With my former theme retired from WordPress I decided to pick a new theme so the entire site presents a new, more open face.
You’ll see the Home banner echoed in this banner for the other website pages, a photo taken earlier on the same beach that evening. This one shows the point of the eastern headland on the left. The Home banner shows the western headlands reaching out on the right, the headlands on either side seeming to embrace the bay.
During a fierce storm a lost ship crashes on that eastern point. From the now book one of the series, Whisper of Wings: “The ship had not found that gentle center, but the jutting crags of a promontory with its sharp outlying rocks.”
You can find more about my currently available pioneer stories and the upcoming saga on the Books page.
We flew out of Shannon airport on our homeward-bound journey. Lynn and I had bought our tickets separately so we weren’t seated together. For the Shannon-Philadelphia leg of the trip I took my seat by the window and a couple of young Irishmen sat beside me. They were on their way to San Francisco, a place where I had lived for eight years. So as the plane lifted off I left their world as they looked forward to visiting mine. They had both just turned 21. Their boisterous excitement was infectious and I laughed with them, caught in their delight.
My trip wasn’t quite over. Setbacks awaited me in Los Angeles when our Philadelphia-LA plane landed late in LAX, where we had a short connection. Seated in the very last row, I had trouble getting past the other passengers, and we had long lines and two slow buses across the tarmac to reach my gate. Lynn was well ahead of me.
By the time I found my gate, panting from my run, there were no passengers left, just an attendant standing alone at the gate. She asked me if I was Janet Fisher. Hopeful they were waiting for me, I answered yes in a gasping voice. She phoned the plane and shook her head at me. “They’ve already left. You’re too late.” No! That couldn’t be. “My friend is already on the plane,” I told her. “I have to be on that plane.”
The phone rang. The pilot had agreed to open the door for me. The plane hadn’t actually pulled away. I broke into tears. The attendant led me to the plane’s door. Once inside, I stumbled down the aisle as passengers applauded with smiling faces. Lynn was beaming and gave me a big hug when I sat down, still crying softly. She had begged them to wait, certain I was coming.
Exhausted, I settled back in the seat for the last leg of our journey, slowly recovering from that arduous finale to a long and wonderful trip—37 days of exploring the world of my ancient series.
During those 37 days I became steeped in the past, as I sought the places that define these stories.
I had the good fortune of meeting several archeologists whose work takes them into the ancient times. And others who simply love their history.
I felt the raw edge of cultures different from my own and the universal embrace of friendly people.
I immersed myself in the book settings and felt my characters walking along these places. As I walked with them I remembered their tears and joys. My own tears came, and my joy.
If my visit to Knossos in Crete felt like being home because of all the days I lived there in my mind while working on my first story in the ancient series, my return to Ireland felt like returning to another home of the mind. Ireland becomes significant to the Cretans as they seek another place of peace in the world.
The last time I traveled to Ireland I stayed a month there with my late friend Tilly Engholm. She and I spent six days on the island’s south coast at the small town of Rosscarbery, the central location for the Irish/Éireann characters in the series. The fictional village of my Golden Eagle Clan sets just below the stone circle now called Bohonagh Circle, an easy walk from the Rosalithir B&B where we stayed. This wonderful B&B hosted by Catherine and Finbarr O’Sullivan is one of the friendliest places I’ve visited in all my many travels.
Of course I had to return and wanted to introduce my writer friend Lynn Ash who was traveling with me on this part of my current trip.
Since the last visit to Ireland I had drafted more books which took my characters to places I’d never seen. The treks through Portugal and the UK gave me a good look at many of those, but I also had a few new scenes in Ireland in places I hadn’t been.
Before traveling to Rosscarbery I wanted to spend a little time at a location closer to the new settings and chose the historic village of Adare near Limerick.
It’s a charming place with thatch-roofed cottages and a crumbling castle, a lovely river walk, and entertainment by a terrific young Irish musician.
The tourists have found it, but we got a quiet B&B on the outer edge, with a country setting and lovely breakfasts, the Carrigane House.
We stayed three nights to explore the area. I found my beautiful green fields for a big battle scene and the treacherous ford across the River Shannon at Limerick.
(I later found reference in a blog post by Irish waterway historian Brian Goggin that there was likely a more passable ford across the River Shannon about ten miles north of Limerick near O’Briensbridge. He kindly responded to my email to confirm there was probably an ancient ford just below the bridge. Brian had helped me before with information on the River Barrow which figured in scenes for a previous book in the series.)
On one of the three days at Adare I used my bus pass to ramble down to Kilrush on the Shannon and check out another scene, enjoying a stroll to the marina and a tasty salmon lunch at Crotty’s Pub.
We found pub food to be reasonable and delicious. In Adare we had to have at least one meal at the famous Blue Door with its fine thatched roof.
From Adare we took the bus to Rosscarbery with a bus stop at Cork City where we watched the beautiful island clouds rise over this intriguing city.
Catherine at the Rosalithir B&B welcomed us with open arms as I knew she would. The B&B is on a working farm just outside Rosscarbery. They raise fine purebred beef cattle now, having switched from the dairy cattle they had on my last visit. Lynn and I booked only two nights with them, one full day. It wasn’t nearly enough, but we would do what we could.
From the upstairs deck of the house we looked out over the yard to the surrounding farms. Haze screened our view of the sea in the gap. Note the old stone fence on the far side of the road.
Anxious to see the stone circle so central to my stories, I headed out with Lynn in the morning. Catherine told us about a walk to the circle I hadn’t taken before–a lovely hill walk over green patchwork fields with views back to the B&B and forward to the ocean. If you can zoom the first photo below you may see the B&B. It’s a pale-pink building with two facing gables in the middle of a wide field in the upper right.
My heart pounded as I climbed straight up the slope to Bohonagh Circle–called Golden Eagle Circle by the Éireann characters in the series.
After the huge rings of Almendres Cromlech in Portugal and Castlerigg in England this circle looked small. Bracken and brambles had filled the interior since I last strolled through.
Bluebells lifted their heads above the competition. I remembered those exquisite flowers blooming among the stones from my visit before.
I got down on my hands and knees to climb under the electric wire surrounding the space and made my way into the ring despite the tall growth. I took my time, circling the ring to consider each stone. I remembered the rough faces, the cool edges, the warm, the tall pillars with tops beyond my reach, the low, the wide entrance between portal stones I could barely touch at once with my outstretched arms, the slanted tops, the rounded, fat, slim, one slant that matched the slant of the sea gap beyond. Echoes shimmered. Dancing feet pummeling the ground. Voices of pleasure, pain, supplication. Though left to the wildness of winds and other natural forces the circle still seemed to resonate with a subtle power–maybe more so because of the untamed elements.
Here lay the heart of my Irish stories.
We would visit the better known Drombeg Circle with Catherine. Close to the highway, that one is a National Monument, well maintained by the Commissioners of Public Works for the state.
A sign at the site notes that on the winter solstice the sun sets at a point aligned with the center between the portal stones and the middle of the recumbent stone opposite. In my story this is the village circle of my neighboring Red Deer Village. The circle rests on a bench of land overlooking the broad fields below, the sea lost again in the distant haze. In one of my books the clanspeople of southern Éire face the warriors of Zambujal on those broad fields, and in another a young Red Deer woman faces the wrath of her father. Many scenes there.
We closed our day with a visit to the sea in the softening light. I wanted to revisit Golden Eagle Bay. We drove to the wrong bay first, then found the right one. I hadn’t remembered the shoreline quite right, so the stop helped me form a better sense of place in this important setting. Anguished partings happen here. And poignant reunions.
The wash of the sea brought many memories, like recurring waves.
With one last look at this bay below the site of my Golden Eagle Clan village I embraced the scene, feeling enriched by this and so many experiences over the course of my journey. I would hold these places in my mind and heart, hoping to share and let others see and feel the wonder of it all.
Before I launch into Day One about my recent research trip through Greece and Portugal, the UK and Ireland, it occurs to me that it might help clarify my reasons for this journey and my reasons for writing the ancient historical series if I backtrack to the beginning. My focus on the Greek Isle of Crete started in 1994 when I set out to research a mystery novel on that exotic Mediterranean island. I had been writing books and pursuing publication for about 14 years, without success. I had moved from Roseburg, Oregon, to San Francisco in late 1989, ending a long-term marriage, and I was seeking answers for my life.
During this time I read a New York Times bestselling book by Riane Eisler called The Chalice and the Blade, where she describes nothing less than the overturning of the world’s cultural norms from woman-centered civilizations to a patriarchal world ruled by contentious warriors. I was fascinated. One chapter stood out for me, where she describes Crete as the “essential difference.” Because of its isolation in the Mediterranean Sea, this island remained one of the last holdouts of those woman-centered cultures. Its primary city of Knossos offered stunning revelations about these Bronze Age people when archeologists began uncovering the fabulous ruins some 100 years ago. Eisler describes Crete as the highest technological culture ever found where women were not dominated by men. I wanted to see this place.
When I visited Knossos and stepped into the partially reconstructed ruins of its central structure, the place seemed to wrap itself around me like a mother’s loving arms. I no longer wanted to write my mystery novel. I wanted to immerse myself in this world and come to know the mystery of the ancients who once thrived there.
The British archeologist Sir Arthur Evans who uncovered Knossos in the early 1900s was struck by what he found–grand staircases and pillar-lined corridors, technological wonders like flush toilets and an elaborate drainage system, frescoes revealing a free and sensuous lifestyle with women standing proud at the center. He believed he’d found a matriarchy but as a man of his times he thought they needed a king to run it. He saw this as the Palace of King Minos mentioned by Homer and Hesiod. But later scholars suggest it may have been a temple, an idea I adopted for my books, and I drew from one of Eisler’s thoughts on King Minos, depicting him as a Mycenaean warrior with designs on Crete–and a couple of Cretan women.
While in Crete I met a man who helped me understand the attraction, the delight, the frustration that can happen when cultures clash. The experience found its way into my story which opens on this peaceful isle on the day the warriors come.
The frescoes shown here are reproductions of originals that are housed in the excellent Archaeological Museum in nearby Heraklion, Crete, the island’s primary modern city. The bull-leaping fresco appears in the opening scene of my book now called Beyond the Waning Moon. And readers will experience a bull-leaping event in the second scene when the protagonist faces a fierce bull in the court.
I wrote the book and continued editing and revising for several years as I sought its publication. Riane Eisler kindly critiqued the opening and when I addressed her concerns she called the result powerful, responding “Brava!” The novel eventually became a finalist in the Pacific Northwest Writers Association Literary Contest. The next year I found a way to tie the people of Crete to their counterparts in the distant isle of Ireland, another place that had touched me deeply and where I have personal roots.
My search for life’s answers led me to mythologist Joseph Campbell and especially his four-volume work, The Masks of God. My focus riveted on his discussion of Ireland and how he could see behind the Irish myths to a culture of Mother Right, essentially a matriarchy that would have preceded the later patriarchy. As Eisler points out in Chalice and the Blade, this isn’t the flip side of patriarchy where women rule over men but more of an egalitarian society accepting the full worth of both genders. Neither writer suggests any kind of utopia but at least a much more equal situation than we came to know.
I first visited Ireland in 1993 because of my Irish roots and had set one of those mystery novels there. But I wanted to tap into the ancient times that paralleled my Cretan story and find the lost culture of Mother Right, which Campbell talked about.
The Cretans of the first book in my ancient saga decide to send out a fleet in search of a place the warriors haven’t come. These early Cretans were known as great mariners, their frescoes and other art showing them sailing around the Mediterranean. I figured if they could sail around the eastern Mediterranean they could surely venture to the west and even out through the gate to the Atlantic, as long as they kept the shores in sight. But for a little excitement they get caught in a horrific storm and one ship crashes on the rugged rocks on Ireland’s south coast. Voila! A sequel–albeit loosely tied.
I completed the sequel in 2004 and went back to Ireland in the spring of that year, focused now on stone circles and this rugged south coast near Rosscarbery in County Cork.
I again entered the PNWA literary contest, and this Irish one was a finalist too, just one year after the Cretan book. I thought I was surely on the road to publication then, but could not find an agent for these stories of strong women facing formidable challenges of their time. I began to get discouraged.
My father died in 2007 and I decided to keep the farm founded by my great-great-grandmother Martha in 1868. I left the ancient stories on the shelf and pursued a story about Martha, discovering I had a strong woman in my family who’d faced challenges of her own time. Finally I found an agent, Rita Rosenkranz, who helped me meet my goal of publication with Martha’s story.
But I hadn’t forgotten the ancients. I had a flash of inspiration about the Cretan story and decided to make substantial changes. When I finished those I realized I definitely needed another sequel that would be closely tied. I wanted to launch into it but I had another story set in the same pioneer period as Martha’s story. My agent and I agreed I should take advantage of the publisher’s interest and bring that pioneer story out first.
By the spring of 2014, with the two pioneer stories in the pipeline, I finally had time to draft the closely tied sequel to the Cretan book. By Christmas I was ready to write one more book to continue the ancient line, but it just wasn’t happening until my muse started whispering to me. I told about that experience on a blog post here so won’t repeat it. This fourth book was drafted by the spring of 2015. I had planned to write a fifth that would bring Crete and Ireland back together but realized I had a 16-year gap in the Irish years. Why not fill the gap with another story?
Because of all the questions I had left at the end of the first Irish book, I wanted to portray the events of those 16 years. I would take readers to the homeland of the Iberians who’d been capturing slaves off the coast of Ireland. I would show my bad guy in his personal haunts.
But the Iberians couldn’t all be brutes, could they? I learned about their amazing citadel of Zambujal north of today’s Lisbon. They must have enjoyed a sophisticated culture I needed to know more about.
And I would take readers to the Great Isle of Britain where my protagonist runs into some intriguing outlaws in the Lake District of northern England.
I finished the rough draft of the gap story in 2016. Then in 2017 I drafted the sixth book, which took me back to Iberia.
I had never been to the Iberian peninsula, where there’s a stone circle (or oval) more ancient than the circles of Ireland. I needed to see that, as well as Zambujal. And I had never been to the Lake District in England.
Also, the new books ventured into places in Greece and Ireland I hadn’t visited before. Thus the need for another trip. Once you’ve crossed the pond, that’s the biggest single expense. I decided I might as well put it all together.
So, that’s how the project started and why the extended trip. Next up, I invite you to come with me on my solo journey in Greece and Portugal and my continued trek with writer friend Lynn Ash through the British Isles. I’ll start the next post with Day One in Heraklion, Crete, and the nearby site of Knossos I have come to love.
I’ve just returned from a trip to research sites for my upcoming series set in Greece and Ireland and points in between and will be sharing my adventures on this trek over the next few weeks. I started in the wonderful Greek Isle of Crete where I visited the center of the first stories, the ancient ruins of Knossos.
This fabulous site was uncovered about 100 years ago after being buried for some 3,000 years. The archeologist restored parts of the buildings, the unique red columns, steps, and rooms, a controversial practice not accepted by today’s archeologists. But the reconstructions do offer a sense of the place I found intriguing. It was a visit to Crete several years ago that started my whole series. When I saw Knossos I knew I wanted to write about these ancient people known today as the Minoans. So I began to write what would become my opening book in a series.
I visited Greece a couple of times before this year’s trip and Stonehenge in England, and visited Ireland a couple of times as well, but as I continue with the series, new books take my characters to different places in these lands, sites I had not seen before, and I wanted to see those places on this trip.
So, why do I go? I could try to create an entire world in my own imagination, with a little help from Google Maps. But if my setting takes the reader to a real place, I’d like to see and feel the place firsthand. Why isn’t my imagination enough? Well, for one thing the natives tend to get annoyed when you misrepresent their landscapes. But there’s more to seeing a place than getting the description right.
I believe every place has a personality that comes out of the nature of the land, the people who touch it and change it. For historicals, can I feel the echoes of people who lived there before? Echoes of events that affected their lives? Maybe. I’d like to believe so. It certainly seems to happen.
Maybe I’m only reflecting my own feelings off the land around me. But what if there’s a resonance reflecting back? I’ll reach for that. Open myself to it. Let it come in, perhaps in the moment I walk in that place, perhaps later as memory and inspiration slip into my mind.
While in Crete I also visited peaceful Fodhele Beach where a battle rages in one of my books. The water is so clear you can see the rocks in the bottom far out from the shore.
From Crete I went on to the Isle of Santorini, officially called Thera or Thira. Anglicized spellings vary in Greece due to the translations from a language with a different alphabet. It’s one of the most beautiful places I’ve ever seen.
Next stop was lovely Nafplio in the Peloponnese peninsula on the Greek mainland. From there I took day trips to the ancient Mycenaean sites of Tiryns and Mycenae itself, home of the warriors who sail to Crete in about 1470 B.C. and change the island forever.
From Greece I flew to Portugal to visit the ancient citadel of Zambujal north of Lisbon and had an amazing experience I’ll talk about in a later post. It had to do with modern-day archeologists working on this site, as shown above.
More wonderful encounters awaited me near Évora in Portugal’s interior.
From Portugal I flew to London’s Heathrow Airport where I met my writer friend, Lynn Ash, who would continue the trek with me.
After a little struggle finding each other (more on that later), we took a bus to the charming town of Amesbury, which is only a couple of miles from the famous stone circle, Stonehenge.
The next day we visited those massive stones, along with a gazillion or so ravens. Caught a couple in my photo. They seemed to add to the haunting aspect of the ancient circle.
From Amesbury we traveled north to the Lake District where we were surprised by the rugged mountains and thrilled to the beauty of the lakes. I got partway up a trail above Buttermere Water, where the outlaws in one of my books hang out. The trail never got much easier than what you see below.
From the lakes we wended our way into Scotland and across to Cairnryan on the coast where we caught the ferry to Ireland, center of my later books, which intertwine with the first three. We finally reached Rosscarbery and the bay I call Golden Eagle Bay for the Golden Eagle Clan of my story whose village lies a short way above this cove.
As daylight dimmed on the bay the search for story sites came to a close. I had a much stronger impression of the places I visit in story. It will take time to absorb all I’ve seen, but already these worlds have become clearer in my mind, and I want to pass that clarity on to my readers. From this overview I’ll share the highlights on my blog in more detail in the coming weeks and hope you’ll join me on this trek from Greece to Portugal to the UK to Ireland, 37 days of reaching into the hearts of lands where my characters roam.